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Sartor's
Shaman Robin
Moore, City of Sydney Times, August 4, 1999
Sydney should
have been a feng shui disaster zone because
of its lack of planning but an expert in the
3000-year-old belief system says the city has
a wealth of good fortune.
Its rapid and
haphazard development occurred almost entirely
in ignorance of ancient Chinese mystical tradition.
And fears of
a backlash from bad-luck buildings and designs
have been rife since many city users have embraced
feng shui.
Lord Mayor Frank
Sartor acknowledged community concerns by hiring
feng shui master Howard Choy as a consultant
to the council.

Mr Choy worked
for 18 months modifying the $7 million Chinatown
upgrade so it would magically promote prosperity.
Cr Sartor said:
"Feng shui is a very important influence
within Australian Chinese culture and it was
vital to ensure it was incorporated into the
designs for the upgrading of Haymarket.
"It has
been considered so important, in fact, that the
city undertook extensive consultations with
the community, advertised the upgrading plans,
employed Howard Choy and received input from
several other feng shui experts to get it right."
Feng shui wisdom
is based on a mysterious life force known as
chi.
It is said chi
can bring bad luck, sickness, peace or prosperity
according to the configuration of the surrounding
buildings, furnishings and landscape.
Mr Choy, an architect
who has studied feng shui for more than 20 years,
said even though no feng shui consideration
was open to any other major city developments
before his appointment the city still has good
chi.
"Feng shui
is very important for Sydney, some people may
not realise it but feng shui can influence the
character of a city and the well-being of the
people living there," said Mr Choy.
"The climate,
orientation, topography and Sydney's relationship
to water makes the city unique.
"We have
a natural harbour which is a gateway into the
city, Circular Quay becomes the chi mouth for
the city.
Apparently the
beauty of Sydney's natural environment - which
brings good chi - has, in many places, been
complemented by the architecture.
"Architecture
is man-made feng shui and it modifies the natural
chi pattern of a place.
"The Harbour
Bridge, which is the device that assembles the
wealth chi, is also at the head of the Azure
Dragon.
"Sydney
draws its energy from water coming through the
heads, the Bridge slows the chi flow and allows
the wealth chi to channel into the CBD."
He said the Opera
House and the Harbour Bridge were perfectly
positioned for positive feng shui.
"The Opera
House is very powerful because it is the head
of the White Tiger.
"This acts
to balance out the yin and yang force of good
feng shui.
"The configuration
also energises the bays along the foreshore
giving places like Double Bay, Rose Bay, Rushcutters
Bay, Neutral Bay and Mosman good feng shui."
But if the Bridge
was constructed from Bennelong Point or the
Opera House was on the left side of Circular
Quay, things would have been very different.
Apparently, in
the ideal feng shui model, the Azure Dragon
must be on the left the White Tiger on the right
with the red bird and the bright hall in the
middle.
Sydney is lucky
to have the hall and the bird formed by the
waters of the quay.
He said the only
problem comes because: "The buildings fronting
on to Circular Quay tend to be too tall.
“They block the
chi flow from the water into the city centre,
it would have been better if these buildings
could step up gradually from the waters edge
southward forming a man-made back drop or protection
we call the Black Turtle.
"We cannot
change the height of the buildings now but the
least we could do is remove the Cahill Expressway
and put it underground so it would not block
and choke the chi mouth of Sydney."
Cr Sartor stated
his plans to remove the expressway in the recent
document City on the Move.
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